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You've selected:
Saint Anne's Reel
Sheetmusic to print
5 sheet music found
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Saint Anne's Reel
String Trio: 2 violins, cello
String Trio Cello,Violin - Level 3 - Digital Download SKU: A0.1114553 Composed by O…
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String Trio Cello,Violin - Level 3 - Digital Download SKU: A0.1114553 Composed by Old-time Fiddle Tune. Arranged by Sandy McIntire. Celtic,Folk,Instructional,Irish,Multicultural,Traditional,World. 15 pages. Sandy McIntire #716416. Published by Sandy McIntire (A0.1114553). St. Anne's Reel is currently recognized as an old-time, bluegrass, New England and French-Canadian tune with many variations played on a number of instruments including the fiddle, mandolin, and penny whistle. It is arranged here for a Intermediate String Trio (two violins and a cello). This lively rendition provides each player a chance to play solos and fun riffs as the melody jumps from one instrument to the next while the others harmonize. McIntire specializes in arranging fiddle tunes for string ensembles. Other arrangements of her folk tunes available for string ensembles at this site include Flowers of Edinburgh and Childgrove. A score as well as separate sheets for each instrument is provided.
$7.50
7 €
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String Trio: 2 violins, cello
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Old-time Fiddle Tune
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Saint Anne's Reel
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Sandy McIntire
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SheetMusicPlus
Saint Anne's Reel
Violin
Violin Solo - Level 2 - Digital Download SKU: A0.1113810 Composed by Old-time Fiddl…
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Violin Solo - Level 2 - Digital Download SKU: A0.1113810 Composed by Old-time Fiddle Tune. Arranged by Sandy McIntire. Celtic,Contest,Country,Festival,Folk,Instructional,Irish. 4 pages. Sandy McIntire #715707. Published by Sandy McIntire (A0.1113810). St. Anne's Reel is currently recognized as an old-time, bluegrass, New England and French-Canadian tune with many variations played on a number of instruments including the fiddle, mandolin, and penny whistle. It is arranged here for an Easy Intermediate fiddler, violinist, or mandolin player. It contains three variations played by West Virginia Fiddler Sandy Mcintire, starting with the simplest of versions, followed by a more elaborate, notey version, and a final variation using double-stops or drones. It is included in the Mountain Mommas Fiddle Tune series. Other tunes in the series include Whiskey Before Breakfast and Life Is Like a Mountain Railroad..
$3.99
3.72 €
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Violin
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Old-time Fiddle Tune
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Saint Anne's Reel
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Sandy McIntire
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SheetMusicPlus
Saint Anne's
C Instruments
C Instrument - Digital Download SKU: A0.1050066 Composed by Traditional. Arranged b…
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C Instrument - Digital Download SKU: A0.1050066 Composed by Traditional. Arranged by Thomas Gray. Celtic,Folk,Irish,Multicultural,World. Lead Sheet / Fake Book. 1 pages. Thomas Edward Gray Music #654469. Published by Thomas Edward Gray Music (A0.1050066). 'Saint Anne’s' is a lively Irish reel that's great fun to play. It's well-known and loved and is played across the world in pubs, on stage and at Irish music sessions. It is a great reel for beginners and experts alike.History: Of Canadian origins, ‘Saint Anne’s’ was popularized in 1948 by radio and TV fiddler Don Messer in his ‘Way Down East’ collection. It has since been introduced repertoires across the globe, especially in the English-speaking world including the US, UK, Ireland, and Australia. ‘Saint Anne’s’ was first recorded in 1927 by fiddler Willie Ringuette under the title of ‘Quadrille du loup garou - 4ème partie’ (English: 'Werewolf Quadrille - Part 4').ISMN: 979-0-9022712-7-1Published by:Thomas Edward Gray MusicABN: 90 127 523 114E: tomedgray@outlook.comIf you have any comments or feel your copyright has been infringed, please contact us.
$4.00
3.73 €
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C Instruments
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Traditional
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Saint Anne's
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Thomas Edward Gray Music
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SheetMusicPlus
Your Favorite Christmas Hymns and Carols for Brass, Book 1
Brass ensemble
Brass Ensemble - Level 2 - Digital Download SKU: A0.522154 Composed by Various. Arr…
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Brass Ensemble - Level 2 - Digital Download SKU: A0.522154 Composed by Various. Arranged by Colin Kirkpatrick. Christmas,Praise & Worship,Sacred. Score and parts. 68 pages. Colin Kirkpatrick Publications #3579897. Published by Colin Kirkpatrick Publications (A0.522154). Your Favorite Christmas Hymns and Carols for Brass, Book 1Arranged for brass by Colin Kirkpatrick Here’s a brand new collection of best-loved Christmas hymns and carols arranged for brass, to brighten up your next Christmas event. They are presented in a set of two books and include full four-part instrumental scores plus parts for 1st B flat trumpet, 2nd B flat trumpet, horn in F (with a separate optional part for horn in E flat), trombone and/or tuba. The tuba part is also optional because it either doubles the trombone part or plays an octave below. Both trombone and tuba parts appear on a single staff in the bass clef at concert pitch. The arrangements can be used with brass quartet, brass quintet or brass ensemble. There’s also an optional but useful simplified keyboard part intended for less experienced keyboard players. The left hand plays only the bass part most of the time, with the right hand part kept as simple as possible. It could be used as the basis of an accompaniment which means that you can use the arrangements as solos, duets or trios.The arrangements are intended either as stand-alone pieces that could be used as interludes in a concert or service, or they could be used to accompany solo, choral or congregational singing. The arrangements been written in brass-friendly keys as often as possible. While the hymns mostly use the traditional harmonies, the carols have been treated more freely. Book 1 includes the following 19 titles: Angels from the Realms of Glory (Melody: Gloria); Away in a Manger (Melody: Mueller); Unto Us a Child Is Born (Melody: Puer Nobis); Christians Awake! (Melody: Yorkshire); Deck the Halls with Boughs of Holly (Melody: Nos Galan); Go Tell it on the Mountain; Good Christian Men, Rejoice (Melody: In Dulci Jubilo); Good King Wenceslas (Melody: Tempus Adest Floridum); I Saw Three Ships Come Sailing In; It Came Upon the Midnight Clear (Melody: Carol); Little Jesus, Sweetly Sleep (Melody: Rocking); O Christmas Tree (Melody: Tannenbaum); O Come all ye Faithful (Melody: Adeste Fidelis); O Little Town of Bethlehem (Melody: Saint Louis); O Holy Night (Melody: Cantique Noël); Silent Night (Melody: Stille Nacht); The Holly and the Ivy; We Wish You a Merry Christmas and What Child is This? (Melody: Greensleeves) The audio samples include Go Tell it on the Mountain; O Christmas Tree; O Holy Night and Silent Night. Please note that the arrangements are usually not usually compatible with the string collection of the same name.
$25.99
24.24 €
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Brass ensemble
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Various
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Your Favorite Christmas Hymns and Carols for Brass, Book 1
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Colin Kirkpatrick Publications
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SheetMusicPlus
Three Chromicons for piano solo
Piano solo
Piano Solo - Advanced Intermediate - Digital Download Composed by Joseph Dillon For…
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Piano Solo - Advanced Intermediate - Digital Download Composed by Joseph Dillon Ford. 21st Century, Contemporary Classical, Impressionistic. Score. 22 pages. Published by David Warin Solomons
The pdf file contains the original score (in letter format) followed by the somewhat larger copy with dedication by the composer and fingerings by Valentin Bogolubov who premiered the 3 Chromicons.
The sound sample is the live performance.
The Three Chromicons were premiered by pianist Valentin Bogolubov at the Société de concerts de St-Bruno, Saint-Bruno, Quebec, Canada, on 27 January 2007. Bogolubov's adventurous, technically demanding program, which also featured the works of Alexander Scriabin and Jean Chatillon, was accompanied by video animation of numerous works of art, four of which were created by the composer (among them, the Chromicon No. 3).
Ford explains the significance of these unique scores:
"In both my earliest chromicons, which I had begun to create by the 1980s, and in those I continue to make today, color is the element that links what is seen to what is heard. Unlike composer Alexander Scriabin, who may have been a true synaesthete as the result of a rare neurological condition enabling him actually to hear colors, my approach to color music has been by way of analogy. Although the tones in a musical scale and the colors of a prism both result from specific vibratory frequencies, scales can be replicated in various octaves while there is no comparable transposition observable in the case of the spectrum. However, the analogy between pitch and hue is implicit in the term "chromatic scale" (the Greek chrôma signifies "color"), and on that basis it is possible to equate the twelve tones of Western music with the hues on a twelvefold color wheel: red, red-orange, orange, yellow-orange, yellow, yellow-green, green, blue-green, blue, blue-violet, violet, and red-violet."
"By placing the pitch names of the chromatic scale in a separate band around the periphery of a such color wheel, much like the numbers on the face of a clock, and by rotating the central color wheel, it is possible for any given pitch to be aligned and associated with any hue. Such an easily constructed device, which I have dubbed the "chromonomicon," is the key necessary to decipher the musical meaning of my chromicons. The chromicon can be thought of as a calligraphic text in which each discrete area of color is a separate letter."
"Although there are literally millions of possible colors, all of them can be categorized as one of the twelve hues shown on the chromonomicon. Instead of being written from left to right or from right to left, the color-letters in a chromicon are arranged concentrically. The shapes of the individual letters, usually painted in watercolor and "illuminated" with metallic paints, colored pencils, and other media, are the result of each artist's creative meditation. The personal meaning of the chromiconic text as a whole emerges during and after this meditation, and may be expressed by a conventional title or accompanying commentary."
"Now, anyone wishing to realize a chromicon is at liberty to follow any path?straight or curvilinear?from the centermost letter to the periphery, constructing a cantus (melody) by notating the musical pitches associated with each contiguous color-letter encountered along the way. The cantus thereafter serves as the structural basis of a new, freely composed work. The individual pitches in the cantus may be moved to any octave, and may be repeated any number of times before proceeding to the next pitch in the sequence. Customarily, once the final tone of the cantus is reached, the entire melody is heard in reverse (retrograde), resulting in a palindrome. That palindrome is itself subject to varied repetition, so that in formal terms, each realization of a chromicon amounts to a 'mirror' theme with variations."
"Chromicon No. 3 travels even further back in collective human memory to the eighteenth century. For all its contemporary melodic and harmonic inflections, the style is pervasively contrapuntal, summoning to mind the polyphonic keyboard textures of Bach and Handel. It eschews the worldly strife and diversions mirrored in the first two chromicons, maintaining a dignified, highly stylized manner throughout, but with its unexpected final cadence on D, there seems to be a fleeting intimation of transcendence."
Video of Chromicon III
https://www.youtube.com/watch?v=VHMw-vzZlGE
$12.00
11.19 €
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Piano solo
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Joseph Dillon Ford
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Three Chromicons for piano solo
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David Warin Solomons
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SheetMusicPlus
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